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Endorsements

Consulting

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"The most comprehensive script doctor on the market. It's like having an A-List writer on your team.  She's clutch, creative, trustworthy, honest, passionate and intense.  But most importantly, she knows story and she delivers.  Kimberly really gives you 110%."

K.B. ~ New York, NY (2006)

"Kimberly has an in-depth and unique way of helping you get your script to the point of it being ready to film!   She's very detailed oriented and will go through each page line-by-line that she feels needs work. After working with Kimberly, your script will come out much better."

Tony L. - Los Angeles, CA

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Teaching

 

"As a writer, I am so fortunate to have taken all of Kimberly Seilhamer’s classes on writing for the screen and television. She is a master! Her expertise is not only evident in her level of knowledge, but in her presentation. I have taken several writing classes and she is an expert in organization. Her lessons are easy to follow and packed with information. Each time her sessions are over, I am eager for the next. She is able to make the complex, simple. She is able to back up her lessons with examples that make the “theories” real. No wonder she is an award-winning writer."

Lawrence W.  ~  San Marcos, CA

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Brass Brad Consulting / 35759 Abelia ST, Murrieta, CA 92562 / kimberly@Brassbrad.consulting

© Copyright 2021,Brass Brad Consulting,  All rights reserved.

Girls in bed w dog_1.4.1.jpg

ADELAIDE (V.O.)

Ma tells me he loves me in his own way.  Why, then, did he always have to love me on a carpet of daisies?

EXT. WOODED GLEN - DAY

Jackson BREATHES HEAVILY.  We only see his legs, and he uses what looks like a walking stick.                  

Still from ADELAIDE.  Written by and Directed by Kimberly Seilhamer.

What is a brass brad?

Did you know?  Before the advent of computers and the popularity of email, scripts were printed out and couriered all over the city of Los Angeles.  These printed screenplays were held together by genuine ACCO #6 Solid Brass Fasteners (brads) for features and ACCO#5 brads for teleplays. Screenplays were three-hole punched and one brad was placed in the top hole and a second brad was placed in the bottom hole. The middle hole was always left empty.  

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